Update – December 2020

This time last year I explained the latest, largely unforeseen, fences that it had been necessary to negotiate and commented that I expected most who had followed the New Museum project would be wondering whether they would ever see the Museum completed. This was said in expectation that we would be opening in the Spring of this year. I should have known better; how could I not have foreseen that a pandemic would hove over the horizon.

We have, as you would expect, been heavily impacted by the current crisis. Some consequences have been entirely predictable. Work had to be put on hold as contractors reacted to restrictions and, as we are not spring chickens, caution as well as strict regulation also slowed progress.

We did, however, also see some of the unexpected consequences of the constraints imposed and support provided, on how businesses reacted to the crisis. For example, perhaps not surprisingly, the intent of companies to maximise the return that they could exact from the furlough scheme meant that delay rather than impetus resulted.

We recognised the inevitable consequences early on and accepted that another year would be lost but then set about trying to dig into the detail: to identify what could be completed, or indeed be done better or another way and whether there was anything in what was left pending that needed exposure and where appropriate addressing.

The result has been many improvements and a greater degree of confidence that the finished product will be what we have been seeking to achieve.

So what is the current situation? The huge step forward has been installation of the Museum furniture. This was all made up in York and had been sitting up there, awaiting installation. It was finally brought down and fitted in October. 1 Trinity Mews now looks like a Museum, as can be seen from the photographs. The cabinets are all there waiting to receive their artefacts and for the next stage of installation to proceed.

Although there is still much to do, we are confident of being able to maintain the momentum as we are now in direct contact with those responsible for each of the outstanding elements. We are engaged with all those involved and looking forward to seeing colour, character and sophistication emerge as work progresses.

We had hoped for completion early in the new year but the latest lockdown and ongoing restrictions mean, realistically, it will not be until well into next year.

It may well be regarded as rash, after so many delays, to be anticipating completion but we have to plan for what we believe will now be possible. We are very fortunate that The Princess Royal has agreed to try again to open the Museum, on behalf of her Father, and we are currently investigating a date in late Spring or early Summer, although this of course may have to slip again.

Last year I expressed my thanks to those who had carried the burden of progressing the project and it is even more appropriate that I do so again this year as instead of being able to sit back and contemplate the fruits of their efforts they have had redouble their commitment, to work through the turmoil of this year and to postpone stepping aside in order to see the project through.

Mike Mumford has been tireless in his daily stewardship of the project, which has continued to be a fulltime commitment and the other Trustees, particularly Hugh Phillip and Jeremy Metcalfe, have been instrumental in finding solutions and doing the heavy lifting that has been needed.

We continue to be hugely grateful to Robert Crichton and John Walcot for their efforts in reviewing the display content and I must again mention the extraordinary contribution of our curator, David Walker.

Finding the right words to bring the displays to life is a skill not many possess. Brevity, colour and sentiment all need to be achieved whilst balancing detail and the need to appeal to a wide audience. We are very fortunate that in David we not only have someone who can do this but who has also put up with short notice and often unreasonable deadlines. He has been central to what we now at last seeing emerge in print and we owe him a huge debt.

Funding, of course, remains a headache and we are very grateful to those who have contributed, both directly and through their efforts. We have decided not to shake the tin again for now, feeling it will be better to allow the finished product to speak for itself. There will be a need for more support but we feel this can best be sought when individuals can identify with something tangible.

As we at last look to opening the Museum it will be a time to bring in fresh blood, to allow those who have delivered it to pass the baton to those who can take the Museum forward. The Museum will be something that the wider Regimental family will be immensely proud of and will offer a rewarding opportunity to those who feel that they could contribute. Do please get in touch if this is something that may interest you. Please do not wait to be asked.

Update – October 2019

As we close on the round of Autumn events and Remembrance all those engaged in the new museum project feel confident that not only have we reached terminal velocity but, after many unexpected twists, we can look to conclusion and the opening of the Museum with confidence.

Finalisation of design and the emergence of detailed content has followed the successful re-negotiation and the letting of contracts with those who are fitting out the museum.

Thanks to the ongoing immense effort of David Walker and Robert Crichton and the other reviewers the production and refinement of text and graphics is well advanced and being well received by the contractors.

The splendid building of 1 Trinity Mews is full of character and seems to have been determined to ensure it is not taken for granted. Most recently revealing significant issues in the roof, not detected in the survey, which in the end required the whole roof to be replaced.

This major undertaking was thankfully speedily completed with remarkably little fuss and the finalisation of the internal work was then able to follow over the summer and autumn. The end result being an even better space than had been anticipated.

The continuing development and review of content and oversight and refinement of the displays will continue over the winter as the contractors deliver and fit the interior. Enticingly we will finally start to see the interior take shape.

Completion is expected in the spring and the formal opening scheduled for the summer of 2020. Firm dates will follow as soon as we are able to confirm who will be opening the museum.

Funding as ever remains a challenge and we are hugely grateful to those who have made great efforts to provide support.

Andy Milton and the Worcester Troop have again been fantastic, Janet Mabot continues to do a huge amount and we have all followed Tom Hamilton and his epic trecks up the UK’s five major peaks in support of the Museum that have followed on from the production of his book Caught in a Cam Net.

Very many thanks to them all. I hope their efforts might prove to be inspirational to others.

I cannot end without thanking those who tirelessly and selflessly continue to bring the project to a successful conclusion.

For Mike Mumford it has continued to be a full time commitment and the ongoing huge contributions by Hugh Philips and Jeremy Metcalfe have been essential to enable us to get to where we now are.

What is at last emerging is testament to their vision and dedication.

Update on the Museum Roof – March 2019

The scaffold build was delayed by 3 weeks firstly by a slight lack of communication – nobody told us that the Warwick Marathon was taking place on one of the days and was due to pass directly under the scaffold build! Secondly it was delayed by the arrival of Storm Gareth, which not unnaturally hastened the departure of the roofers.

Eventually the gods were on our side and the scaffold build was completed on Friday 15th March.

The plan now is to open up one half of the roof working under cover of a tarpaulin that is re-fastened every night, view the repairs that come to light once the builders can get into the roof space and replace whatever is necessary in that part of the roof.

Once that half of the roof is complete the library and stores in the opposite end of the attic will be moved to under cover of the newly re-furbished half of the roof and the other end will be completed.

Estimated time for completion dependent on the amount of work required is some 8 weeks. Brickwork repairs and repainting of the windows and frames will be completed from the scaffolding whilst it is in place.

Lt Col Tom Hamilton

The Collection Trustees who are responsible for the design and build of the new Regimental Museum are very grateful indeed to Lt Col Tom Hamilton for the very generous gestures he continues to show in his fundraising for the Project.

Tom walked from Catterick to Bovington Camp in 2017 and he has recently written his excellent book, Caught in a Cam Net. These together have raised £6200+ to date with more expected from book sale royalties.

Thank you, Tom, from us all for your incredible efforts and for supporting the new Museum Project by donating the amazing results of those efforts. Your help is more than appreciated.

A Q&A Update on the Museum Progress

Question:  Why has progress on completion of the Museum Project fallen so far behind the expected stage completion dates?

Answer: The main contributing factor has been that during internal building work a number of faults have been discovered with the fabric of the Museum including the roof that may entail a considerable amount of work. None of these faults were picked up by the Building Survey and the additional costs now required to enable repairs to be carried out were not envisaged during the project planning.

 Question:  When will the Museum finally be open?

Answer:  This is entirely dependent on what repairs are found to be necessary to the fabric of the roof once the tiles have been removed.  As soon as we have definite information we will pass this on. We are unable to start on the internal displays until the fabric of the building is secure.

Question:  Is there any progress with the content of the Museum?

Answer:  We are in the process of agreeing the internal design of the Museum displays with our chosen Museum designer, PLB of York.  The design work can be continued as the repairs to the roof are being completed. We continue to receive new artefacts for display and in particular we have been loaned part of the material displayed in the Blackshaw Museum previously held by the Regiment in Sennelager.

Question:  Is there any way we can help?

Answer:  Fund raising is still very much alive. Any further donations that you can raise will have a very positive effect on completing the project and opening the Museum. We are also actively seeking volunteers: so if you think you may have a specific talent and would like to become involved please do contact

The latest update as at October 2018 can be found below:

(Please allow a few moments for the slideshow to start)

Trinity Mews
Archive storage
Room layouts
Front and Back doors
Museum Designers
Ground Floor - architects plan view
Ground Floor - Thematic areas
Ground floor - Thematic areas
Ground floor - Artists impression
Ground floor - end wall
First floor - plan view
First Floor - Artists impression
First Floor - Thematic Areas
First Floor route
First Floor - Thematic Areas
First Floor - Artists impressions
Information sheets
First Floor - Artists impression
Artists impression - Churchill area
Creative Expressions area
More information